I keep seeing him, in gardenia scented dreams.
he’s trying to talk to me, but either I’m too dumb
to understand him, or he is speaking silence, mouth forming words
he wants to say or I want to hear, or both—
we had reached the asymptote of communication.

maybe I just don’t want to hear him again.

in one dream he’s standing beside me on a quiet lakeshore,
in another he’s sitting in front of me, table between our
open faces and the water lapping soundlessly as night.

I don’t know if I respond to him, if I’m even speaking
his language, no language, the language of moving away.

the language of goodbye—do I know enough of it to be fluent?

I want to understand you, I say,
while not meaning a single word. I don’t want to understand—
but why I am drawn to him looking at me
looking at him, blank as untouched snow.

dreams like these are just symptoms leftover
from trauma, I’ve heard; in time, they’ll fade
with panicked memories. how can I face him
in those dreams— what do I really want to say to him?

lying awake before blackberry melatonin-induced slumber,
I can faintly grasp it, a silver thread tied to a blue balloon.

maybe some day, I’ll forgive you.

 

 

 

Photo by Siora Photography on Unsplash

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https://linktr.ee/HikariLeilaniMiya
Hikari Leilani Miya (she/her) is a Japanese Filipina American, 2019 Cornell University English major graduate, and a current poetry MFA candidate at the University of San Francisco who identifies with the LGBTQ community. She is the assistant poetry editor for USFCA’s literary magazine, Invisible City. She has publications forthcoming in Cobra Milk and The Bitchin’ Kitsch, and in Macguffin, Litbreak, San Francisco City College’s Forum, Jet Fuel Magazine, and Canadian magazine Fleas on the Dog. She currently lives with her two snakes and disabled cat, but has a menagerie of other pets at home in the Central Valley of California. She is a behavioral therapist for children with autism, pianist, percussionist, and music arranger, as well as a competitive card game player.